Collection record · Objects & craft
Trial Piece Worked on Both Sides
The collection record classifies this work as sculpture. It is dated c. 1391–1353 BCE. Recorded culture or place: Egypt, probably Thebes, New Kingdom (1540–1069 BCE), Dynasty 18, reign of Amenhotep III (1390–1352 BCE).
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A closer look at the details.
- Museum title
- Trial Piece Worked on Both Sides
- Date
- c. 1391–1353 BCE
- Culture / origin
- Egypt, probably Thebes, New Kingdom (1540–1069 BCE), Dynasty 18, reign of Amenhotep III (1390–1352 BCE)
- Materials and technique
- limestone
- Dimensions
- Overall: 34.4 x 24 x 7 cm (13 9/16 x 9 7/16 x 2 3/4 in.)
- Artist / maker
- Not specified by the museum
- Museum
- The Cleveland Museum of Art
- Accession number
- 1920.1975
FROM THE MUSEUM
In the museum’s words
The following description is reproduced from the Cleveland Museum of Art’s original English record.
This carved flake of limestone provides a fascinating glimpse of the ancient artist at work. One side, by far the better, features four studies of heads. At the upper left is an Asiatic. He has a low forehead, a prominent nose, and a long, pointed beard. To his right is a Nubian wearing the short, round headdress and large loop earring that the Egyptians usually identified with this ethnic group. The bottom row presents images from within Egypt. At the left is a stock image of a king. To his right is another Egyptian, whose clean-shaven head immediately identifies him as a priest. The rather routine, basic subjects of the other side show a far lower level of accomplishment. The sole details of any skill are the incomplete head of the god Bes at the bottom center and the human ear at the left edge. The simple neb-signs (baskets) are poorly executed, and the drawing of the hand is embarrassingly bad. At the lower right is a thickly banded human eye. Above that is the fair head of a princess wearing a short wig, wide headband, and thick sidelock. At the upper left are the beginnings (or the remains) of the bewigged head of a courtier, the face mostly obliterated.
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Text and image sources
The Cleveland Museum of Art · Gift of the John Huntington Art and Polytechnic Trust · CC0
The summary is based on public collection data. Refer to the museum’s latest record for the title, date and attribution.
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