Collection record · Objects & craft
Adam and Eve
The collection record classifies this work as ceramic. It is dated 1928. Recorded culture or place: America, Ohio, Cleveland.
Explore the object recordOBJECT RECORD
A closer look at the details.
- Museum title
- Adam and Eve
- Date
- 1928
- Culture / origin
- America, Ohio, Cleveland
- Materials and technique
- glazed ceramic
- Dimensions
- Each: 35 x 26.7 x 8.2 cm (13 3/4 x 10 1/2 x 3 1/4 in.)
- Artist / maker
- Cowan Pottery Studio (America, Rocky River, Ohio, 1920–1931); R. Guy Cowan (American, 1884–1957)
- Museum
- The Cleveland Museum of Art
- Accession number
- 1928.235
FROM THE MUSEUM
In the museum’s words
The following description is reproduced from the Cleveland Museum of Art’s original English record.
In a remarkable departure from tradition, this ceramic sculpture depicts Adam tempting Eve with the forbidden fruit from the Tree of Knowledge. According to the Bible, it was Eve who offered Adam the apple which led to mankind's downfall, ushering sin and death into the world. Adam's loincloth indicates that he has become ashamed of his nudity, a sign of his fall from grace. This startling role reversal reflects Cowan's belief that men are more prone to moral temptation than women. In addition to its innovative iconography, the sculpture's rich color and elegant, rhythmic forms establish it as Cowan's finest work and a masterpiece of the American Art Deco aesthetic. Born to a family of potters in East Liverpool, Ohio, Cowan directed the Cowan Pottery studios in Lakewood (1912-17) and Rocky River (1919-32), Ohio. Cowan Pottery was among the foremost producers of American Art Deco pottery and ceramic sculpture. Cowan recruited many talented artists to work in his studios, including Thelma Frazier Winter, Edward Winter, Walter Sinz, Waylande Gregory, and Viktor Schreckengost.
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Text and image sources
The Cleveland Museum of Art · Educational Purchase Fund · CC0
The summary is based on public collection data. Refer to the museum’s latest record for the title, date and attribution.
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