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Collection record · Objects & craft

Cranes and Serpents

The collection record classifies this work as sculpture. It is dated 475–221 BCE. Recorded culture or place: China, reportedly from Hunan province, Changsha, Warring States period (475–221 BCE), State of Chu (c. 1046–223 BCE).

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OBJECT RECORD

A closer look at the details.

Museum title
Cranes and Serpents
Date
475–221 BCE
Culture / origin
China, reportedly from Hunan province, Changsha, Warring States period (475–221 BCE), State of Chu (c. 1046–223 BCE)
Materials and technique
lacquered wood with polychromy
Dimensions
Overall: 132.1 x 124.5 cm (52 x 49 in.)
Artist / maker
Not specified by the museum
Museum
The Cleveland Museum of Art
Accession number
1938.9

FROM THE MUSEUM

In the museum’s words

The following description is reproduced from the Cleveland Museum of Art’s original English record.

A different style of ritual art developed in the state of Chu in South China. In addition to bronze vessels, lacquered wood artifacts expanded the repertory of ritual implements.

This extraordinary sculpture was probably a drum stand for supporting a suspended drum in ritual ceremonies. It is unique among other excavated drum stands of the Chu, which typically show two birds standing on tigers. The theme of the bird stepping on the serpent was common in the Chu visual culture. Yet the slender proportions and seemingly flimsy structure of this particular set raise the question of whether it was utilitarian or mostly served symbolic functions in the tomb.

The birds' and serpents' bodies have designs painted in red lacquer and yellow pigment against the black lacquer. Scientific analyses confirm the additional use of a blue or green pigment that has been discolored over time.

FOLLOW THE SOURCE

Text and image sources

The Cleveland Museum of Art · Purchase from the J. H. Wade Fund · CC0

The summary is based on public collection data. Refer to the museum’s latest record for the title, date and attribution.

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