Collection record · Objects & craft
Cranes and Serpents
The collection record classifies this work as sculpture. It is dated 475–221 BCE. Recorded culture or place: China, reportedly from Hunan province, Changsha, Warring States period (475–221 BCE), State of Chu (c. 1046–223 BCE).
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A closer look at the details.
- Museum title
- Cranes and Serpents
- Date
- 475–221 BCE
- Culture / origin
- China, reportedly from Hunan province, Changsha, Warring States period (475–221 BCE), State of Chu (c. 1046–223 BCE)
- Materials and technique
- lacquered wood with polychromy
- Dimensions
- Overall: 132.1 x 124.5 cm (52 x 49 in.)
- Artist / maker
- Not specified by the museum
- Museum
- The Cleveland Museum of Art
- Accession number
- 1938.9
FROM THE MUSEUM
In the museum’s words
The following description is reproduced from the Cleveland Museum of Art’s original English record.
A different style of ritual art developed in the state of Chu in South China. In addition to bronze vessels, lacquered wood artifacts expanded the repertory of ritual implements.
This extraordinary sculpture was probably a drum stand for supporting a suspended drum in ritual ceremonies. It is unique among other excavated drum stands of the Chu, which typically show two birds standing on tigers. The theme of the bird stepping on the serpent was common in the Chu visual culture. Yet the slender proportions and seemingly flimsy structure of this particular set raise the question of whether it was utilitarian or mostly served symbolic functions in the tomb.
The birds' and serpents' bodies have designs painted in red lacquer and yellow pigment against the black lacquer. Scientific analyses confirm the additional use of a blue or green pigment that has been discolored over time.
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Text and image sources
The Cleveland Museum of Art · Purchase from the J. H. Wade Fund · CC0
The summary is based on public collection data. Refer to the museum’s latest record for the title, date and attribution.
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