Collection record · Objects & craft
Hercules, Deianeira, and Nessus
The collection record classifies this work as sculpture. It is dated 1700s. Recorded culture or place: Italy, Naples, Capo di Monte.
Explore the object recordOBJECT RECORD
A closer look at the details.
- Museum title
- Hercules, Deianeira, and Nessus
- Date
- 1700s
- Culture / origin
- Italy, Naples, Capo di Monte
- Materials and technique
- glazed ceramic
- Dimensions
- Overall: 37.5 cm (14 3/4 in.)
- Artist / maker
- Not specified by the museum
- Museum
- The Cleveland Museum of Art
- Accession number
- 1939.192
FROM THE MUSEUM
In the museum’s words
The following description is reproduced from the Cleveland Museum of Art’s original English record.
Charles III, King of Naples, established the Capodimonte royal porcelain factory under his patronage in 1743. Responding to the success of Northern European porcelain factories, the Capodimonte group perfected their soft-paste porcelain and produced a variety of high-quality objects, ranging from Rococo-inspired decorative arts to more sculptural works. This unpainted figural group depicts the climax of an episode from the later life of Hercules. His heroic nature prevented Hercules from adapting to domestic life, much to the dismay of his wife, Dejanira. Growing tired of his absence, on one occasion Dejanira pursued Hercules. When she reached a river she could not cross, Dejanira accepted a ride from a centaur, Nessus, who, after taking her half way, attempted to abduct her. Here we see Dejanira clinging to her husband, who has arrived in time to slay Nessus with a poison-tipped arrow.
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Text and image sources
The Cleveland Museum of Art · Gift of Leonard C. Hanna Jr., for the Coralie Walker Hanna Memorial Collection · CC0
The summary is based on public collection data. Refer to the museum’s latest record for the title, date and attribution.
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