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Collection record · Objects & craft

Christ in the Garden of Gethsemane and The Kiss of Judas (pair)

The collection record classifies this work as glass. It is dated 1522–1526. Recorded culture or place: Germany, Cologne.

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OBJECT RECORD

A closer look at the details.

Museum title
Christ in the Garden of Gethsemane and The Kiss of Judas (pair)
Date
1522–1526
Culture / origin
Germany, Cologne
Materials and technique
pot-metal and white glass, silver stain and sanguine
Dimensions
Overall: 73.7 x 71.8 cm (29 x 28 1/4 in.)
Artist / maker
Everhard Rensig (German); Gerhard Remisch (German)
Museum
The Cleveland Museum of Art
Accession number
1940.340

FROM THE MUSEUM

In the museum’s words

The following description is reproduced from the Cleveland Museum of Art’s original English record.

These two stained glass panels originally belonged to an extensive program of Old and New Testament subjects that originally decorated the cloister of the Cistercian Abbey of Mariawald, near Cologne. The original placement of glass at Mariawald involved windows composed of two openings. Each comprised three large glass panels plus a smaller tracery panel. Two scenes in each window represented Old Testament subjects (below) and the New Testament (above). Above the biblical narrative panels were smaller messenger panels depicting images of prophets with scrolls. At the base of each window were donor and patron saint panels. In this way, the Old Testament was shown to prefigure the events of the New. These two panels depicting scenes of Christ’s Passion were originally located in the north corner of the east cloister gallery with the Kiss of Judas on the left, and Christ in Gethsemane on the right. Mariawald was founded in 1480 and closed in 1802 when the stained glass windows were removed. Recent scholarship has attributed the glass to the Rhenish glass painters Everhard Rensig or Gerhard Remisch.

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Text and image sources

The Cleveland Museum of Art · Gift of S. Livingstone Mather, Constance Mather Bishop, Philip R. Mather, Katherine Hoyt Cross, and Katherine Mather McLean in accordance with the wishes of Samuel Mather · CC0

The summary is based on public collection data. Refer to the museum’s latest record for the title, date and attribution.

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