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Collection record · Objects & craft

Pomona

The collection record classifies this work as sculpture. It is dated c. 1500. Recorded culture or place: Italy, early 16th Century.

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OBJECT RECORD

A closer look at the details.

Museum title
Pomona
Date
c. 1500
Culture / origin
Italy, early 16th Century
Materials and technique
bronze
Dimensions
Overall: 15.5 cm (6 1/8 in.)
Artist / maker
Andrea Riccio (Italian, c. 1470–1532)
Museum
The Cleveland Museum of Art
Accession number
1948.486

FROM THE MUSEUM

In the museum’s words

The following description is reproduced from the Cleveland Museum of Art’s original English record.

According to Roman mythology, the nymph Pomona cared for the gardens and forests, rejecting the pursuits of her suitors. The god Vertumnus fell in love with her. He disguised himself as an old woman, complimented her orchard and kissed Pomona passionately. As an old woman, Vertumnus explained that there was one person who loved both Pomona and her garden. Vertumnus then revealed himself to her, and from then on the two cared for Pomona's gardens together. Classicizing in style, Pomona stands nude with her weight on her left leg. She holds a bowl of fruit in her left hand while her right hand is clenched, suggesting it may have once held another object. Pomona wears a diadem, or headband, and hair decorated with a beaded garland falls in two locks over her shoulders. A hole has been drilled at the top of the figure's head for removal of the core and casting pins appear in the back of the right shoulder and on the front of the left leg. Other examples of this statuette exist in Oxford, Paris, Berlin and Washington. Only the Washington and Cleveland versions have been attributed to Riccio because of their superior quality of casting and the rich patinas.

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Text and image sources

The Cleveland Museum of Art · Gift of Mr. and Mrs. Severance A. Millikin · CC0

The summary is based on public collection data. Refer to the museum’s latest record for the title, date and attribution.

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