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Inscribed Tombstone of Shaikh al-Husain ibn Abdallah ibn al-Hasan (died 1110)

The collection record classifies this work as sculpture. It is dated 1110. Recorded culture or place: Iran, Yazd, Seljuk Period, early 12th Century.

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OBJECT RECORD

A closer look at the details.

Museum title
Inscribed Tombstone of Shaikh al-Husain ibn Abdallah ibn al-Hasan (died 1110)
Date
1110
Culture / origin
Iran, Yazd, Seljuk Period, early 12th Century
Materials and technique
limestone
Dimensions
Overall: 65 x 42.6 cm (25 9/16 x 16 3/4 in.)
Artist / maker
Not specified by the museum
Museum
The Cleveland Museum of Art
Accession number
1950.9

FROM THE MUSEUM

In the museum’s words

The following description is reproduced from the Cleveland Museum of Art’s original English record.

Arabic calligraphy, the supreme art form in the Islamic world, enhances this tombstone. The elegant Arabic script embellished with leaf tendrils at the top of the tall letters is called floriated Kufic.

Verses about paradise from the holy Qur'an border the central arch-shaped niche that resembles a mosque's mihrab, located in the wall closest to the holy city of Mecca. The name of the deceased and the year of his death are recorded within the niche above the names of the carvers: "The work of Abaidallah Murra(?) and 'Umar(?)." The inscriptions from the Qur'an translate as follows:

Outer border (read from right to left): "In the name of God, the Merciful, the Compassionate. Every soul shall taste of death; and ye shall only receive your recompenses on the Day of Resurrection. And who so shall escape the fire, and be brought into Paradise, shall be happy. And the life [of this world is but a cheating fruition]" (3:185).

Inner border: "In the name of God, the Merciful, the Compassionate. But as for those who say, 'Our Lord is God'; and who go straight to Him, the Angels shall descend to them and say 'Fear ye not, neither be ye grieved, but rejoice ye in the Paradise which ye have been [promised]'" (41:30).

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Text and image sources

The Cleveland Museum of Art · Edward L. Whittemore Fund · CC0

The summary is based on public collection data. Refer to the museum’s latest record for the title, date and attribution.

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