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Collection record · Objects & craft

Charity

The collection record classifies this work as sculpture. It is dated c. 1550–1600. Recorded culture or place: Franco-Flemish, second half 16th century.

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OBJECT RECORD

A closer look at the details.

Museum title
Charity
Date
c. 1550–1600
Culture / origin
Franco-Flemish, second half 16th century
Materials and technique
alabaster
Dimensions
Overall: 29.9 x 14 x 14 cm (11 3/4 x 5 1/2 x 5 1/2 in.)
Artist / maker
Not specified by the museum
Museum
The Cleveland Museum of Art
Accession number
1951.541

FROM THE MUSEUM

In the museum’s words

The following description is reproduced from the Cleveland Museum of Art’s original English record.

When this alabaster group entered the museum's collection, it was thought to depict the Virgin Mary, Christ, and Saint John the Baptist. It has been identified, however, as a personification of Charity, the most elevated of the three Christian theological virtues. The two other theological virtues are Faith and Hope. Within Christian belief, Charity is also known as a supernatural virtue, where the object of human conduct is the ultimate unification with God through love. Alluding to its eminent position, Charity sits enthroned, with powerful hybrid beasts supporting her chair. The diminutive footstool propping up her left foot may refer to the necessity of humility in one's relationship to God. Also, a child raises a vessel filled with fruits to another suggesting that selflessness and love are attributes of charitable actions.

FOLLOW THE SOURCE

Text and image sources

The Cleveland Museum of Art · Gift of Baroness R. de Kerchove · CC0

The summary is based on public collection data. Refer to the museum’s latest record for the title, date and attribution.

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