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Collection record · Objects & craft

Five-pronged Vajra Pestle (Gokosho)

The collection record classifies this work as metalwork. It is dated 900s. Recorded culture or place: Japan, Heian period (794–1185).

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OBJECT RECORD

A closer look at the details.

Museum title
Five-pronged Vajra Pestle (Gokosho)
Date
900s
Culture / origin
Japan, Heian period (794–1185)
Materials and technique
bronze
Dimensions
Overall: 15 cm (5 7/8 in.)
Artist / maker
Not specified by the museum
Museum
The Cleveland Museum of Art
Accession number
1954.785

FROM THE MUSEUM

In the museum’s words

The following description is reproduced from the Cleveland Museum of Art’s original English record.

Resembling weapons wielded by deities described in the Vedas, ancient Indian religious scriptures, the vajra pestle (kongōsho) has long been used in Esoteric Buddhist rituals. The word vajra means diamond and thunderbolt in Sanskrit. Vajras are thus indestructible and powerful tools of Buddhism. The number of prongs has significance, with single-, three-, and five-pronged vajras being used for different purposes. The stylized thunderbolt known as a vajra also connotes the speed of lightning and the indestructible qualities of diamond to best describe the attributes of Tantra. Vajras are ubiquitous in tantric art and ritual practices. This example from the Heian period (784-1185) reveals the early spread of Tantra from India across China and Southeast Asia to enter Japan where it is known as Shingon. A Japanese monk named Kūkai founded the Shingon sect of Esoteric Buddhism after he received the texts and teachings from a Chinese tantric master. When he returned to Japan in 806, he founded the influential Shingon sect.

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Text and image sources

The Cleveland Museum of Art · Gift of Dr. and Mrs. Sherman E. Lee · CC0

The summary is based on public collection data. Refer to the museum’s latest record for the title, date and attribution.

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