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Collection record · Objects & craft

Saint Lawrence

The collection record classifies this work as sculpture. It is dated 1502–8. Recorded culture or place: Germany, Würzburg, 16th century.

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OBJECT RECORD

A closer look at the details.

Museum title
Saint Lawrence
Date
1502–8
Culture / origin
Germany, Würzburg, 16th century
Materials and technique
lindenwood with polychromy and gilding
Dimensions
Overall: 93.8 x 38.5 x 21.8 cm (36 15/16 x 15 3/16 x 8 9/16 in.)
Artist / maker
Tilman Riemenschneider (German, active Würzburg, c. 1460–1531)
Museum
The Cleveland Museum of Art
Accession number
1959.42

FROM THE MUSEUM

In the museum’s words

The following description is reproduced from the Cleveland Museum of Art’s original English record.

This sculpture, along with that of Saint Stephen (1959.43), and two female saints preserved in Frankfurt (Historisches Museum), are believed to be the remaining fragments of a large altarpiece carved by Riemenschneider for the Dominican convent in Rothenburg in Franconia (demolished in 1813). Saints Stephen and Lawrence both wear the dalmatic to indicate their status as deacons in the early church. Each holds a symbol of his martyrdom; here, Saint Lawrence holds a grill to indicate his death by burning. Late Gothic Style Art in Germany through the early 1500s remained firmly anchored in the late Gothic style with its associated interests in realism. Riemenschneider was one of the most prolific and versatile sculptors of this style, a recognized master in both stone and wood. His flourishing workshop employed as many as 40 apprentices in sculpting, woodcarving, and painting. His sculptures are noted for the dreamy, melancholy, and introspective quality in their expressions, as well as their remarkable attention to detail.

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Text and image sources

The Cleveland Museum of Art · Leonard C. Hanna Jr. Fund · CC0

The summary is based on public collection data. Refer to the museum’s latest record for the title, date and attribution.

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