Collection record · Objects & craft
Descent from the Cross
The collection record classifies this work as sculpture. It is dated 1653. Recorded culture or place: Austria.
Explore the object recordOBJECT RECORD
A closer look at the details.
- Museum title
- Descent from the Cross
- Date
- 1653
- Culture / origin
- Austria
- Materials and technique
- ivory
- Dimensions
- Overall: 44.8 x 16.5 x 12.1 cm (17 5/8 x 6 1/2 x 4 3/4 in.)
- Artist / maker
- Adam Lenckhardt (German, 1610–1661)
- Museum
- The Cleveland Museum of Art
- Accession number
- 1967.134
FROM THE MUSEUM
In the museum’s words
The following description is reproduced from the Cleveland Museum of Art’s original English record.
Carved from a single piece of ivory for Prince Karl Eusebius von Liechtenstein of Vienna, this work is a true tour-de-force. It took Lenckhardt seven years to complete; it is his last known sculpture and the pinnacle of his career. The biblical accounts of the descent from the cross found in the gospels are not consistent, which may contribute to the difficulty in precisely identifying the figures. The Virgin Mary, Saint John, Mary Magdalene, and others were said to be present, but undoubtedly there are other disciples here mourning Christ’s death. The intense emotion registers on the faces of the figures in the scrupulous and exquisitely detailed work.
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Text and image sources
The Cleveland Museum of Art · John L. Severance Fund · CC0
The summary is based on public collection data. Refer to the museum’s latest record for the title, date and attribution.
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