Collection record · Objects & craft
Rishabha, the First Jina
The collection record classifies this work as sculpture. It is dated 800s–900s. Recorded culture or place: Central India, Chandela Dynasty, 9th - 10th Century.
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A closer look at the details.
- Museum title
- Rishabha, the First Jina
- Date
- 800s–900s
- Culture / origin
- Central India, Chandela Dynasty, 9th - 10th Century
- Materials and technique
- stone
- Dimensions
- Overall: 51.4 x 39.4 cm (20 1/4 x 15 1/2 in.)
- Artist / maker
- Not specified by the museum
- Museum
- The Cleveland Museum of Art
- Accession number
- 1969.228
FROM THE MUSEUM
In the museum’s words
The following description is reproduced from the Cleveland Museum of Art’s original English record.
According to Jain tenets, Rishabha was the first of the 24 Jinas of our current world cycle and is the only one depicted with long locks of hair. He had been a king who was moved to seek an end to the cruel cycles of birth and death after witnessing a dancer die at his court in mid performance. As part of his act of renunciation, he pulled his hair out by handfuls, but the king of the gods interceded before he was finished; some long locks remain as his distinguishing feature. Indian sculpture during the medieval period (700s-1200s) is characterized by linear stylization, as seen here in the high arch of the eyebrows and deeply upturned corners of the mouth. During this time Jinas, like Buddhas, were depicted with the protuberance atop the head as an indicator of enlightenment.
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Text and image sources
The Cleveland Museum of Art · Gift of George P. Bickford · CC0
The summary is based on public collection data. Refer to the museum’s latest record for the title, date and attribution.
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