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Collection record · Objects & craft

Doorknocker with Gorgon Head

The collection record classifies this work as sculpture. It is dated mid-1500s. Recorded culture or place: Italy, Venice.

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OBJECT RECORD

A closer look at the details.

Museum title
Doorknocker with Gorgon Head
Date
mid-1500s
Culture / origin
Italy, Venice
Materials and technique
bronze
Dimensions
Overall: 25.4 x 19.7 x 6.9 cm (10 x 7 3/4 x 2 11/16 in.)
Artist / maker
Not specified by the museum
Museum
The Cleveland Museum of Art
Accession number
1972.1

FROM THE MUSEUM

In the museum’s words

The following description is reproduced from the Cleveland Museum of Art’s original English record.

Venice was a center for numerous bronze founders who made elaborate doorknockers for palace doors throughout the city. Although utilitarian, these objects were meant to impress as works of art in their own right. The presence of snakes that coil from this fearsome head suggest that this is Medusa, one of the three demon sisters in Greek mythology known as the Gorgons. According to some legends, Medusa was an attractive woman who, after having an affair with the god Poseidon in Athena's temple, was transformed by the goddess into a serpent-haired beast. Her visage was so terrifying that anyone who looked at it was turned to stone. The hero Perseus was ordered to decapitate Medusa, and Athena subsequently placed the monstrous head in the center of her shield. The use of the Gorgon's head as an ancient motif and protective symbol to avert evil developed from this fabled act. Such literary and iconographic traditions were known to Renaissance artists, and the presence of a Gorgon head on a doorknocker almost certainly evokes its guarding function for a Venetian home.

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Text and image sources

The Cleveland Museum of Art · Purchase from the J. H. Wade Fund · CC0

The summary is based on public collection data. Refer to the museum’s latest record for the title, date and attribution.

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