Collection record · Objects & craft
Figures from a Crèche
The collection record classifies this work as sculpture. It is dated 1780–1830. Recorded culture or place: Italy, Naples, late 18th-early 19th century.
Explore the object recordOBJECT RECORD
A closer look at the details.
- Museum title
- Figures from a Crèche
- Date
- 1780–1830
- Culture / origin
- Italy, Naples, late 18th-early 19th century
- Materials and technique
- painted wood and terracotta with various textiles
- Dimensions
- Not specified by the museum
- Artist / maker
- Not specified by the museum
- Museum
- The Cleveland Museum of Art
- Accession number
- 1972.368
FROM THE MUSEUM
In the museum’s words
The following description is reproduced from the Cleveland Museum of Art’s original English record.
The practice of creating scenes of the Nativity for the home dates from the early 1700s in Italy, where people began to set up doll-like figures of about a foot or less in height. The custom was particularly popular in Naples around 1800, where crèche scenes (crèche means cradle, or crib) included many figures, whose heads and hands of painted terracotta, stuffed cloth bodies, and clothing adapted from contemporary local costumes gave them an amazingly realistic character. Representations of the birth of Jesus can be traced to the first few centuries of Christianity. Both living creatures and sculptural depictions of them were used from early times. By the late middle ages it was customary to create life-size figures of wood or stone, naturalistically painted, to represent the characters who participated in the events of Jesus's early life. These sculptures were then arranged in scenes illustrating one or both of the most important of these events, the Adoration of the Shepherds and the Adoration of the Magi-the three kings from the East who came to pay homage to the Christ child. Used in churches, these large figures were especially popular in Italy, Central Europe, Spain, and Portugal.
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Text and image sources
The Cleveland Museum of Art · Gift of the Womens Council of the Cleveland Museum of Art · CC0
The summary is based on public collection data. Refer to the museum’s latest record for the title, date and attribution.
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