Collection record · Objects & craft
Black-Figure Nikosthenic Amphora (Storage Vessel): Dancing Youths; Sphinxes and Lions; Satyrs and Maenads
The collection record classifies this work as ceramic. It is dated c. 530–510 BCE. Recorded culture or place: Greek, Attic.
Explore the object recordOBJECT RECORD
A closer look at the details.
- Museum title
- Black-Figure Nikosthenic Amphora (Storage Vessel): Dancing Youths; Sphinxes and Lions; Satyrs and Maenads
- Date
- c. 530–510 BCE
- Culture / origin
- Greek, Attic
- Materials and technique
- ceramic
- Dimensions
- Diameter: 16.9 cm (6 5/8 in.); Overall: 31.1 cm (12 1/4 in.); Diameter of rim: 13.3 cm (5 1/4 in.); Diameter of foot: 10.7 cm (4 3/16 in.)
- Artist / maker
- Nikosthenes (Greek, Attic, active c. 545–510 BCE); Painter N, Thiasos Group (Greek, c. 530–510 BC)
- Museum
- The Cleveland Museum of Art
- Accession number
- 1974.10
FROM THE MUSEUM
In the museum’s words
The following description is reproduced from the Cleveland Museum of Art’s original English record.
The distinctive shape of this amphora—wide strap handles, conical neck, and ribs running around the upper body—is a trademark of the potter Nikosthenes, who signed his name below the partially restored handle (together with the verb EPOIESEN, for “made”). Nikosthenes signed nearly 150 surviving vases, more than any other named potter or vase-painter. Made in Athens with an Etruscan clientele in mind, Nikosthenic amphorae emulate precious metal and ceramic bucchero vases made in Etruria (central Italy), where many examples have been discovered. The painted figures include dancing youths (on the neck), sphinxes between lions (on the shoulder), and a continuous procession of dancing satyrs alternating with women (on the body).
FOLLOW THE SOURCE
Text and image sources
The Cleveland Museum of Art · Purchase from the J. H. Wade Fund · CC0
The summary is based on public collection data. Refer to the museum’s latest record for the title, date and attribution.
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