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Collection record · Objects & craft

Black-Figure Nikosthenic Amphora (Storage Vessel): Dancing Youths; Sphinxes and Lions; Satyrs and Maenads

The collection record classifies this work as ceramic. It is dated c. 530–510 BCE. Recorded culture or place: Greek, Attic.

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OBJECT RECORD

A closer look at the details.

Museum title
Black-Figure Nikosthenic Amphora (Storage Vessel): Dancing Youths; Sphinxes and Lions; Satyrs and Maenads
Date
c. 530–510 BCE
Culture / origin
Greek, Attic
Materials and technique
ceramic
Dimensions
Diameter: 16.9 cm (6 5/8 in.); Overall: 31.1 cm (12 1/4 in.); Diameter of rim: 13.3 cm (5 1/4 in.); Diameter of foot: 10.7 cm (4 3/16 in.)
Artist / maker
Nikosthenes (Greek, Attic, active c. 545–510 BCE); Painter N, Thiasos Group (Greek, c. 530–510 BC)
Museum
The Cleveland Museum of Art
Accession number
1974.10

FROM THE MUSEUM

In the museum’s words

The following description is reproduced from the Cleveland Museum of Art’s original English record.

The distinctive shape of this amphora—wide strap handles, conical neck, and ribs running around the upper body—is a trademark of the potter Nikosthenes, who signed his name below the partially restored handle (together with the verb EPOIESEN, for “made”). Nikosthenes signed nearly 150 surviving vases, more than any other named potter or vase-painter. Made in Athens with an Etruscan clientele in mind, Nikosthenic amphorae emulate precious metal and ceramic bucchero vases made in Etruria (central Italy), where many examples have been discovered. The painted figures include dancing youths (on the neck), sphinxes between lions (on the shoulder), and a continuous procession of dancing satyrs alternating with women (on the body).

FOLLOW THE SOURCE

Text and image sources

The Cleveland Museum of Art · Purchase from the J. H. Wade Fund · CC0

The summary is based on public collection data. Refer to the museum’s latest record for the title, date and attribution.

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