Collection record · Objects & craft
Covered Tureen on Stand (Pot-à-oille)
The collection record classifies this work as silver. It is dated 1735–38. Recorded culture or place: France, Paris.
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A closer look at the details.
- Museum title
- Covered Tureen on Stand (Pot-à-oille)
- Date
- 1735–38
- Culture / origin
- France, Paris
- Materials and technique
- silver
- Dimensions
- Not specified by the museum
- Artist / maker
- Juste-Aurèle Meissonnier (French, 1695–1750); Pierre-François Bonnestrenne (French); Henry Adnet (French, 1745)
- Museum
- The Cleveland Museum of Art
- Accession number
- 1977.182
FROM THE MUSEUM
In the museum’s words
The following description is reproduced from the Cleveland Museum of Art’s original English record.
Juste-Aurèle Meissonnier transformed the traditional covered tureen into an imaginative shell form. The vegetables and animals on the cover refer to the stew’s ingredients, or oille, served from this vessel. Weighing nearly 44 pounds (20 kilograms), the tureen presents a dazzling display of wealth. It was commissioned by the English Duke of Kingston, as one of a pair. The tureens are among the most celebrated surviving examples of 1700s French silver, representing the defining objects of the Rococo—a style characterized by asymmetrical, curving forms, and motifs inspired by nature.
Meissonnier collaborated with two master silversmiths on this tureen but asserted his authorship through a prominent inscription on the stand, reading: “Made by J. A. Meissonnier, Architect.” Identifying himself as an architect rather than a goldsmith reflects his ambition to elevate his status beyond his artisanal background.
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Text and image sources
The Cleveland Museum of Art · Leonard C. Hanna Jr. Fund · CC0
The summary is based on public collection data. Refer to the museum’s latest record for the title, date and attribution.
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