Collection record · Objects & craft
Medallion: Coronation of the Virgin
The collection record classifies this work as enamel. It is dated late 1400s. Recorded culture or place: France.
Explore the object recordOBJECT RECORD
A closer look at the details.
- Museum title
- Medallion: Coronation of the Virgin
- Date
- late 1400s
- Culture / origin
- France
- Materials and technique
- basse-taille enamel on silver
- Dimensions
- Framed: 7.7 cm (3 1/16 in.); Unframed: 6.1 cm (2 3/8 in.)
- Artist / maker
- Not specified by the museum
- Museum
- The Cleveland Museum of Art
- Accession number
- 1979.4
FROM THE MUSEUM
In the museum’s words
The following description is reproduced from the Cleveland Museum of Art’s original English record.
The word enamel derives from the Old French esmail and the Old High German smelzen, meaning "to smelt." This is the most crucial process in the making of enamel. To prepare enamel, the constituents of glass (flint, or sand, as well as red lead, and soda or potash) are heated together to form a clear flux. To this a coloring agent (usually a metallic oxide) is added: copper for green, cobalt for blue, iron for red or brown. The enamel is then allowed to cool and solidify in slabs. Before use, each color is separately ground into a fine powder, placed on a prepared metal surface, and fired in a kiln. When cool, the surface is polished to remove any imperfections and add brilliance to the colors. The difference between the various enameling techniques lies chiefly in the methods used to prepare the metal surface for the enamel.
FOLLOW THE SOURCE
Text and image sources
The Cleveland Museum of Art · Purchase from the J. H. Wade Fund · CC0
The summary is based on public collection data. Refer to the museum’s latest record for the title, date and attribution.
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