Collection record · Objects & craft
Palanquin Hook
The collection record classifies this work as sculpture. It is dated 1175–1230. Recorded culture or place: Cambodia, probably Angkor.
Explore the object recordOBJECT RECORD
A closer look at the details.
- Museum title
- Palanquin Hook
- Date
- 1175–1230
- Culture / origin
- Cambodia, probably Angkor
- Materials and technique
- bronze
- Dimensions
- Overall: 17.4 cm (6 7/8 in.)
- Artist / maker
- Not specified by the museum
- Museum
- The Cleveland Museum of Art
- Accession number
- 1982.12
FROM THE MUSEUM
In the museum’s words
The following description is reproduced from the Cleveland Museum of Art’s original English record.
When members of the royal family or priesthood traveled in a public festival procession or to a temple to make offerings or participate in a ceremony, they would be carried in a palanquin, or a covered litter. Portable objects of veneration, such as bronze images or a sacred fire, were also carried on palanquins. The palanquins had wooden poles, hanging seats or raised platforms, and bronze fittings cast in intricate forms and gilt, lending the palanquins a sumptuous quality.
This hook once supported a bronze ring from which hung a seat, like a hammock or swing. A wooden pole would have passed through the hollow socket at the top and was carried on the shoulders of bearers.
The hook segment ends in the face of a garuda, a man-eagle with a prominent beak, stylized wings, and feathers. Figures indicative of devotion and success, including pairs of elephants, crown the fitting.
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Text and image sources
The Cleveland Museum of Art · John L. Severance Fund · CC0
The summary is based on public collection data. Refer to the museum’s latest record for the title, date and attribution.
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