Collection record · Objects & craft
Pair of naga finials
The collection record classifies this work as metalwork. It is dated 1100s. Recorded culture or place: Cambodia, probably Angkor.
Explore the object recordOBJECT RECORD
A closer look at the details.
- Museum title
- Pair of naga finials
- Date
- 1100s
- Culture / origin
- Cambodia, probably Angkor
- Materials and technique
- bronze
- Dimensions
- Overall: 29.2 x 15.2 x 15.2 cm (11 1/2 x 6 x 6 in.)
- Artist / maker
- Not specified by the museum
- Museum
- The Cleveland Museum of Art
- Accession number
- 1987.14
FROM THE MUSEUM
In the museum’s words
The following description is reproduced from the Cleveland Museum of Art’s original English record.
When members of the royal family or priesthood traveled in a public festival procession or to a temple to make offerings or participate in a ceremony, they would be carried in a palanquin, or a covered litter. Portable objects of veneration, such as bronze images or a sacred fire, were also carried on palanquins. The palanquins had wooden poles, hanging seats or raised platforms, and bronze fittings cast in intricate forms and gilt, lending the palanquins a sumptuous quality.
The royal palanquins were typically fitted with multiheaded, serpent-shaped finials at the ends of the poles and corners of the elevated platforms.
Naga means serpent in Sanskrit, a language from India selectively appropriated by the Khmer in Cambodia. In their own indigenous mythology, the Khmer people trace their descent from a naga princess and a prince from the island of Java who journeyed to Cambodia. The naga remains a potent emblem for the Khmer nation to this day; it is ubiquitous on Cambodian monuments.
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Text and image sources
The Cleveland Museum of Art · Leonard C. Hanna Jr. Fund · CC0
The summary is based on public collection data. Refer to the museum’s latest record for the title, date and attribution.
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