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Sake Bottle

The collection record classifies this work as ceramic. It is dated mid- to late 1600s. Recorded culture or place: Japan, Edo period (1615–1868).

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OBJECT RECORD

A closer look at the details.

Museum title
Sake Bottle
Date
mid- to late 1600s
Culture / origin
Japan, Edo period (1615–1868)
Materials and technique
porcelain with underglaze blue (Hizen ware, Arita type, Imari style)
Dimensions
Diameter: 10.2 cm (4 in.); Overall: 20 cm (7 7/8 in.)
Artist / maker
Not specified by the museum
Museum
The Cleveland Museum of Art
Accession number
1992.117

FROM THE MUSEUM

In the museum’s words

The following description is reproduced from the Cleveland Museum of Art’s original English record.

When the late 16th-century shogun (military ruler) of Japan, Toyotomi Hideyoshi, invaded Korea in 1593, and then again in 1597, he made several momentous discoveries which were to change the course of Japanese cultural history. Hideyoshi's troops reported the existence of a sophisticated ceramic industry using large, multichambered kilns to produce high-fired porcelain wares. Since this technology did not exist in Japan, Hideyoshi ordered the resettlement of skilled potters in Japan. Not long thereafter this new kiln technology transformed tea taste and ceramic art in Japan. Subsequently, Korean potters uncovered for the first time in Japan the kaolin deposits fundamental to high-fired porcelain production. So beginning in the mid-1600s, the earliest white Japanese porcelains appeared, produced by Korean potters who transmitted traditional Korean ceramic shapes and surface decoration to their fellow Japanese workers. This small sake flask is a second generation example of that heritage and illustrates a fundamental cultural linkage between Korean and Japanese art.

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Text and image sources

The Cleveland Museum of Art · The Severance and Greta Millikin Purchase Fund · CC0

The summary is based on public collection data. Refer to the museum’s latest record for the title, date and attribution.

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