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Octafoil Mirror with Hunters and Prey

The collection record classifies this work as metalwork. It is dated late 600s–early 700s. Recorded culture or place: China, Tang dynasty (618-907).

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OBJECT RECORD

A closer look at the details.

Museum title
Octafoil Mirror with Hunters and Prey
Date
late 600s–early 700s
Culture / origin
China, Tang dynasty (618-907)
Materials and technique
bronze
Dimensions
Diameter: 20 cm (7 7/8 in.)
Artist / maker
Not specified by the museum
Museum
The Cleveland Museum of Art
Accession number
1995.365

FROM THE MUSEUM

In the museum’s words

The following description is reproduced from the Cleveland Museum of Art’s original English record.

Corrosion has covered this mirror's surface with an uneven layer of green patination. Otherwise, this medium-sized mirror is strong in impact and dynamic in movement. The border arrangement is typical, with eight compartments for four types of decoration arranged in pairs across the same axis. Other than the cloud scrolls, which have been radically transformed so as to be almost unrecognizable, the rest are fine portrayals of insects and plants—a typical arrangement for Tang mirrors, perhaps of the eighth century.

The chief focus, of course, lies in the inner circle, which has gained in size and dimension. At its center is a crouching beast. Action is most apparent in the sequence of the hunt, with hunters on horses, shooting with bow and arrow at the prey, or carrying a long lance for the attack. The prey includes bear, deer, rabbit, and boar—their size and pose being sufficiently varied. The insistence on horror vacui (fear of empty spaces) is apparent; wherever the likelihood of a vacant space exists, the maker of the mirror has inserted a plant to fill the void. The result is a fast-paced whirling motion that never ends.

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Text and image sources

The Cleveland Museum of Art · Gift of Drs. Thomas and Martha Carter in Honor of Sherman E. Lee · CC0

The summary is based on public collection data. Refer to the museum’s latest record for the title, date and attribution.

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