Collection record · Objects & craft
Grave Stele (Relief)
The collection record classifies this work as sculpture. It is dated c. 50 BCE. Recorded culture or place: Southern Anatolia, Pamphylia, Hellenistic Greek.
Explore the object recordOBJECT RECORD
A closer look at the details.
- Museum title
- Grave Stele (Relief)
- Date
- c. 50 BCE
- Culture / origin
- Southern Anatolia, Pamphylia, Hellenistic Greek
- Materials and technique
- marble
- Dimensions
- Overall: 73.6 x 42.5 cm (29 x 16 3/4 in.)
- Artist / maker
- Not specified by the museum
- Museum
- The Cleveland Museum of Art
- Accession number
- 2005.52
FROM THE MUSEUM
In the museum’s words
The following description is reproduced from the Cleveland Museum of Art’s original English record.
The multiple figures, inscription, use of perspective, and architectural frame distinguish this ambitious relief as one of the most important of its type. The Greek inscription on the base reads, “To Sbardia, also named Tate, Eumelos, son of Aphrodisios, her father, [set this up].” The deceased is shown seated on an elaborate chair. A servant girl holding a fan suggests Sbardia’s high social standing. At the bottom right corner, a hen perches on an upturned basket, a symbol of “the good life.” The stele incorporates a “springing” gable supported by engaged half columns with simplified Corinthian capitals. Other features relate to beliefs about mortality and the afterlife. Above and to the left of her chair is her winged psyche (soul) shown leaving her body. Figures of the three fates are shown in the pediment above, reminding us that human life is finite.
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Text and image sources
The Cleveland Museum of Art · Gift of James E. and Elizabeth J. Ferrell · CC0
The summary is based on public collection data. Refer to the museum’s latest record for the title, date and attribution.
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