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Julius Caesar

The collection record classifies this work as sculpture. It is dated c. 1455–60. Recorded culture or place: Italy, Florence.

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OBJECT RECORD

A closer look at the details.

Museum title
Julius Caesar
Date
c. 1455–60
Culture / origin
Italy, Florence
Materials and technique
marble with traces of bole (red clay) and limestone with traces of paint
Dimensions
Overall: 83 x 84 x 25 cm (32 11/16 x 33 1/16 x 9 13/16 in.)
Artist / maker
Mino da Fiesole (Italian, c. 1430–1484); Mino da Fiesole and Workshop (Italian, c. 1430–1484)
Museum
The Cleveland Museum of Art
Accession number
2009.271

FROM THE MUSEUM

In the museum’s words

The following description is reproduced from the Cleveland Museum of Art’s original English record.

Renowned Roman general and statesman Julius Caesar (100–44 BCE) appears here as a political rather than military leader, worn by the burdens of office, with carefully described signs of aging. Mino probably used ancient coins from the collection of the Medici, Florence's ruling family, as his starting point for this sculpture. However, the complex carving, the clinging drapery, and the psychological intensity all characterize the inventiveness Renaissance artists brought to classical subject matter. In this case, Caesar offered an important model for leadership, masculinity, and composure. The garland is clearly by a different hand, but passages, such as the ribbons and flowers in low relief, correspond to details found in other decorative carvings from Mino's workshop. Initially, the limestone setting was probably put into a wall, perhaps in a lunette over the door, from which it was later removed. However, the relationship between the garland and the relief has not yet been clarified and is the subject of ongoing research.

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Text and image sources

The Cleveland Museum of Art · John L. Severance Fund · CC0

The summary is based on public collection data. Refer to the museum’s latest record for the title, date and attribution.

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