Collection record · Objects & craft
Figure (kgöngwana-tshingwana/Ngwana sehô)
The collection record classifies this work as sculpture. It is dated 1800s–1900s. Recorded culture or place: Southern Africa, Lesotho, Southern Sotho-style maker.
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A closer look at the details.
- Museum title
- Figure (kgöngwana-tshingwana/Ngwana sehô)
- Date
- 1800s–1900s
- Culture / origin
- Southern Africa, Lesotho, Southern Sotho-style maker
- Materials and technique
- Wood, glass beads, cloth, thread, and copper alloy
- Dimensions
- Overall: 25.4 cm (10 in.)
- Artist / maker
- Not specified by the museum
- Museum
- The Cleveland Museum of Art
- Accession number
- 2010.208
FROM THE MUSEUM
In the museum’s words
The following description is reproduced from the Cleveland Museum of Art’s original English record.
Historically, figures made from bundled reeds or bead-covered wooden forms––such as this example––were linked to fertility in Sotho communities. A man carved the wooden core, while a woman covered it with fabric and beads. The small size of the glass beads indicates their age, while the patterns can be linked to Sotho aesthetics. Like the beads, the round metal disc that functions as the figure's face would have been imported. While no longer used, records indicate these figures may have been used in several contexts associated with conception, including the initiation ceremonies of young girls, divination rites, or as gifts to brides who might symbolically care for the figure in advance of her firstborn's arrival. Some accounts even describe them as toys. Meanings and appearances both appear to have changed over time.
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Text and image sources
The Cleveland Museum of Art · Leonard C. Hanna Jr. Fund · CC0
The summary is based on public collection data. Refer to the museum’s latest record for the title, date and attribution.
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