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Female Bowl-Bearing Figure

The collection record classifies this work as sculpture. It is dated late 1800s-early 1900s. Recorded culture or place: Africa, Central Africa, Democratic Republic of Congo, Luba-style carver.

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OBJECT RECORD

A closer look at the details.

Museum title
Female Bowl-Bearing Figure
Date
late 1800s-early 1900s
Culture / origin
Africa, Central Africa, Democratic Republic of Congo, Luba-style carver
Materials and technique
Wood, glass beads, upholstery studs, plant fiber, and iron
Dimensions
Overall: 40.8 x 16.1 x 27.3 cm (16 1/16 x 6 5/16 x 10 3/4 in.)
Artist / maker
Not specified by the museum
Museum
The Cleveland Museum of Art
Accession number
2010.454

FROM THE MUSEUM

In the museum’s words

The following description is reproduced from the Cleveland Museum of Art’s original English record.

In Luba-style art, an object's beauty affects how well it works. While bowl-bearing figures had many possible uses, a royal diviner likely used this well-carved image of a woman carrying a bowl in rituals. Dusty traces of mpemba (white chalk) fleck the shining exterior and the bowl's interior, showing it once held this sacred powder. Diamond-shaped scarification marks at her waist, chest, and back add to her beauty. Her hair is carved into the cascading layered hairstyle worn in the Luba region at the turn of the twentieth century. Strands of imported glass beads encircle her waist and neck, and dangle from her hair. The alternating white and blue beads may symbolize the moon and Mbidi Kiluwe, a culture hero linked to royal practice and smithing. While much Luba-style art depicts women—who are societally important—men created and owned the majority of such works.

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Text and image sources

The Cleveland Museum of Art · René and Odette Delenne Collection, Leonard C. Hanna Jr. Fund · CC0

The summary is based on public collection data. Refer to the museum’s latest record for the title, date and attribution.

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