Collection record · Everyday wonders
Female Bowl-Bearing Figure
The collection record classifies this work as sculpture. It is dated late 1800s-early 1900s. Recorded culture or place: Africa, Central Africa, Democratic Republic of Congo, Luba-style carver.
Explore the object recordOBJECT RECORD
A closer look at the details.
- Museum title
- Female Bowl-Bearing Figure
- Date
- late 1800s-early 1900s
- Culture / origin
- Africa, Central Africa, Democratic Republic of Congo, Luba-style carver
- Materials and technique
- Wood, glass beads, upholstery studs, plant fiber, and iron
- Dimensions
- Overall: 40.8 x 16.1 x 27.3 cm (16 1/16 x 6 5/16 x 10 3/4 in.)
- Artist / maker
- Not specified by the museum
- Museum
- The Cleveland Museum of Art
- Accession number
- 2010.454
FROM THE MUSEUM
In the museum’s words
The following description is reproduced from the Cleveland Museum of Art’s original English record.
In Luba-style art, an object's beauty affects how well it works. While bowl-bearing figures had many possible uses, a royal diviner likely used this well-carved image of a woman carrying a bowl in rituals. Dusty traces of mpemba (white chalk) fleck the shining exterior and the bowl's interior, showing it once held this sacred powder. Diamond-shaped scarification marks at her waist, chest, and back add to her beauty. Her hair is carved into the cascading layered hairstyle worn in the Luba region at the turn of the twentieth century. Strands of imported glass beads encircle her waist and neck, and dangle from her hair. The alternating white and blue beads may symbolize the moon and Mbidi Kiluwe, a culture hero linked to royal practice and smithing. While much Luba-style art depicts women—who are societally important—men created and owned the majority of such works.
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Text and image sources
The Cleveland Museum of Art · René and Odette Delenne Collection, Leonard C. Hanna Jr. Fund · CC0
The summary is based on public collection data. Refer to the museum’s latest record for the title, date and attribution.
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