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Collection record · Objects & craft

Calyx (Chalice)

The collection record classifies this work as vessels. It is dated 900s-1000s. Recorded culture or place: Byzantium, Middle Byzantine (843-1261).

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OBJECT RECORD

A closer look at the details.

Museum title
Calyx (Chalice)
Date
900s-1000s
Culture / origin
Byzantium, Middle Byzantine (843-1261)
Materials and technique
blood jasper (heliotrope) with gilt-copper mounts
Dimensions
Overall: 7.7 cm (3 1/16 in.)
Artist / maker
Not specified by the museum
Museum
The Cleveland Museum of Art
Accession number
2013.49

FROM THE MUSEUM

In the museum’s words

The following description is reproduced from the Cleveland Museum of Art’s original English record.

This hardstone vessel is shaped as a small bowl-shaped beaker which tapers slightly towards the base. It is crafted from jasper, a form of chalcedony, an opaque hardstone. The stone appears in a variety of colors, but in this instance is of the type known as "blood jasper," which assumes a deep ruby red color. The surface is highly polished and the vessel in enclosed in handsome gilt-copper mounts featuring a repeating lambrequin-type ornament. The calyx belongs to an exclusive and rare genre of object known today through about 30 surviving examples, most of which are preserved in the Treasury of San Marco in Venice.

Because of its deep red color, blood jasper was highly prized by the Byzantines who saw it as a symbol of the blood of Christ. The original function of the vessel cannot be known with certainty. It may have assumed either a secular or liturgical function; however, the use of blood jasper would support the view that the calyx functioned as a liturgical chalice. Chalices in Byzantine Orthodoxy assumed multiple forms. Objects of this quality, materials, and execution are typically associated with circles of the Byzantine court. Such objects were often gifted to churches.

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Text and image sources

The Cleveland Museum of Art · John L. Severance Fund · CC0

The summary is based on public collection data. Refer to the museum’s latest record for the title, date and attribution.

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