Collection record · Objects & craft
Sake Pourers with Bamboo and Bellflowers
The collection record classifies this work as ceramic. It is dated c. 1844–57. Recorded culture or place: Japan, Edo period (1615–1868).
Explore the object recordOBJECT RECORD
A closer look at the details.
- Museum title
- Sake Pourers with Bamboo and Bellflowers
- Date
- c. 1844–57
- Culture / origin
- Japan, Edo period (1615–1868)
- Materials and technique
- pair of sake pourers; stoneware with white slip, underglaze blue and gold repair (kintsugi) (Kyoto ware)
- Dimensions
- height (each): 13 cm (5 1/8 in.); diameter (each): 5.5 cm (2 3/16 in.)
- Artist / maker
- Seifū Yohei I (Japanese, 1801–1861)
- Museum
- The Cleveland Museum of Art
- Accession number
- 2022.143
FROM THE MUSEUM
In the museum’s words
The following description is reproduced from the Cleveland Museum of Art’s original English record.
This pair of sake pourers adorned with with bamboo and bellflowers is attributed to the founder of the Seifū Studio, Seifū Yohei I (1801–1861).
Yohei I, the lineage founder, was born to the Yasuda family in the city of Kanazawa, which faces the Sea of Japan. His home province of Kaga (in present-day Ishikawa Prefecture) produced its own ceramics, known as Kutani ware, but for his training as a potter, Yohei I chose Kyoto, which produced the more technically advanced porcelain ware. He moved to Kyoto around the 1820s and became apprenticed to Nin’ami Dohachi, a leading potter in the city. He later struck out on his own, and it is likely that his teacher gave him the name Seifu Yohei. His works include many exquisitely painted copies of Chinese porcelain, and he also produced stoneware with overglaze color enamels that emulated works in the style of Ogata Kenzan (1663–1743) at which his teacher excelled.
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Text and image sources
The Cleveland Museum of Art · Gift of James and Christine Heusinger · CC0
The summary is based on public collection data. Refer to the museum’s latest record for the title, date and attribution.
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