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Teapot with Cherry Blossoms

The collection record classifies this work as ceramic. It is dated 1914–46. Recorded culture or place: Japan, Taishō period (1912–26) or Shōwa period (1926–89).

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OBJECT RECORD

A closer look at the details.

Museum title
Teapot with Cherry Blossoms
Date
1914–46
Culture / origin
Japan, Taishō period (1912–26) or Shōwa period (1926–89)
Materials and technique
Porcelain with underglaze blue
Dimensions
height with lid: 8 cm (3 1/8 in.); width with handle: 10 cm (3 15/16 in.); Diameter: 8 cm (3 1/8 in.)
Artist / maker
Seifū Yohei IV (Japanese, 1872–1951)
Museum
The Cleveland Museum of Art
Accession number
2022.201

FROM THE MUSEUM

In the museum’s words

The following description is reproduced from the Cleveland Museum of Art’s original English record.

This teapot with mountain cherry blossom motifs has its design in underglaze cobalt blue. It runs over both the pear-shaped body and the recessed lid, with its pointed, jewel-shaped handle. There is a faint bluish-green tint to the glaze.

The mark impressed into the base of this work appears to be one used by Yohei III. However, the box inscription is brushed in a hand matching that of Yohei IV, and while the seal on the lid is one often used by Yohei III, that next to the signature on the back of the lid is one generally used by Yohei IV. The signature, too, resembles others belonging to Yohei IV. As the design, technique, and object named on the box accurately describe the contents, it seems unlikely, but not impossible, that it is mismatched. There are many cases in which Yohei III works are contained in boxes with inscriptions, seals, and a signature by Yohei IV. However, in such examples, Yohei IV clearly identifies himself as authenticating the work of his father and often includes his father’s Imperial Household Artist seal. This may be an example of a transitional piece in which Yohei IV has used his father’s mark on the base of his own work.

FOLLOW THE SOURCE

Text and image sources

The Cleveland Museum of Art · Gift of James and Christine Heusinger · CC0

The summary is based on public collection data. Refer to the museum’s latest record for the title, date and attribution.

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