Collection record · Objects & craft
Teacups with a Hundred Sages
The collection record classifies this work as ceramic. It is dated 1893–1914. Recorded culture or place: Japan, Meiji period (1868–1912).
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A closer look at the details.
- Museum title
- Teacups with a Hundred Sages
- Date
- 1893–1914
- Culture / origin
- Japan, Meiji period (1868–1912)
- Materials and technique
- Set of five teacups; porcelain with underglaze blue
- Dimensions
- height (each): 6.5 cm (2 9/16 in.); diameter (each): 9 cm (3 9/16 in.)
- Artist / maker
- Seifū Yohei III (Japanese, 1851–1914)
- Museum
- The Cleveland Museum of Art
- Accession number
- 2022.169
FROM THE MUSEUM
In the museum’s words
The following description is reproduced from the Cleveland Museum of Art’s original English record.
Each of these five teacups has a painting of identical design in underglaze blue, but as the tiny figures are drawn entirely by hand, each cup has its own personality. The theme of the sencha cups is an assembly of sages or immortals, literally “a hundred venerable [people]” (hyakurō). The myriad figures crowd the scene in groups. The god of longevity, with his tall forehead, sits with his cranes, having flown in from Mt. Penglai on the Isle of the Immortals. Seven long-bearded sages sit around a stone table, chatting and drinking; one is seated on an enormous gourd. Of course, there is a stack of books on the table, and elsewhere, scrolls are being written upon or read—in one case held very close by a sage who is wearing glasses. The design was enormously popular in ceramics made for those engaged in literati culture.
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Text and image sources
The Cleveland Museum of Art · Gift of James and Christine Heusinger · CC0
The summary is based on public collection data. Refer to the museum’s latest record for the title, date and attribution.
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