Collection record · Everyday wonders
Bowl with Old Pine and Poem
The collection record classifies this work as ceramic. It is dated 1914–46. Recorded culture or place: Japan, Taishō period (1912–26) or Shōwa period (1926–89).
Explore the object recordOBJECT RECORD
A closer look at the details.
- Museum title
- Bowl with Old Pine and Poem
- Date
- 1914–46
- Culture / origin
- Japan, Taishō period (1912–26) or Shōwa period (1926–89)
- Materials and technique
- Porcelain with molded and carved design
- Dimensions
- height: 8 cm (3 1/8 in.); Diameter: 19.1 cm (7 1/2 in.)
- Artist / maker
- Seifū Yohei IV (Japanese, 1872–1951)
- Museum
- The Cleveland Museum of Art
- Accession number
- 2022.209
FROM THE MUSEUM
In the museum’s words
The following description is reproduced from the Cleveland Museum of Art’s original English record.
A grand, aged pine is carved into the body of this bowl. The inscription on the reverse side explains the tree’s presence. It is an altered version of two lines from a poem by Li Jiao (646?–715?) called “Pine.” Li Jiao was a senior government official who had a tumultuous career under the reign of Wu Zetian (r. 690–705), as well as those of her sons and grandson during the Tang dynasty (618–907). Although little known today, his work was read in Japan during the Heian (794–1185) and Kamakura periods (1185–1333). An anthology containing his poems, which was lost in China, was passed down across the generations in Japan. The translation of the inscription is as follows (the original characters, written and read from right to left, are shown below from left to right):
The crane nests in the mastwood tree, the wind flicks at its peaceful branches. 鶴樹君子風拂太平枝
The mastwood is a pine-like evergreen, and the crane sheltering there is protected from the wind. In the original poem, the characters before “branches” (枝) are rather 大夫, meaning “high official.” This is likely a reference to the title bestowed upon a pine tree by the emperor Qin Shi Huang (r. 221–210 BCE) in thanks for its protection when a fierce rain fell as he ascended Mount Tai to pay his obeisance to the heavens.
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Text and image sources
The Cleveland Museum of Art · Gift of James and Christine Heusinger · CC0
The summary is based on public collection data. Refer to the museum’s latest record for the title, date and attribution.
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