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Collection record · Objects & craft

Sake Pourers with Crane and Tortoises

The collection record classifies this work as ceramic. It is dated 1893–1914. Recorded culture or place: Japan, Meiji period (1868–1912).

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OBJECT RECORD

A closer look at the details.

Museum title
Sake Pourers with Crane and Tortoises
Date
1893–1914
Culture / origin
Japan, Meiji period (1868–1912)
Materials and technique
Pair of sake flasks; porcelain with overglaze color enamel
Dimensions
height: 13.7 cm (5 3/8 in.); Diameter: 7.1 cm (2 13/16 in.)
Artist / maker
Seifū Yohei III (Japanese, 1851–1914)
Museum
The Cleveland Museum of Art
Accession number
2022.159

FROM THE MUSEUM

In the museum’s words

The following description is reproduced from the Cleveland Museum of Art’s original English record.

One flask of this pair has stencil-like paintings of three turtles—a young one with its parents—while the other has a crane with a leg raised. Cranes and turtles are well-recognized symbols of longevity in East Asia, with the turtle said to live for ten thousand years and the crane for one thousand.

Each flask also has a poem on the back, one in Chinese and the other in Japanese. The latter, which appears on the turtle flask, reads kame iwaku kamiyo wa, ore no wakaki toki. The seventeen-syllable poem begins with “turtle” and ends with “when I was young.” It can be translated as, “the turtle said the world of the gods began when I was young.”

The poem on the crane flask is two nonconsecutive five-character lines from a poem called “Crane Feelings” by the famous Tang dynasty poet Bai Juyi (772–846). One character in one of the lines has been altered. This creative poetic sampling results in a verse reading zheng shi qun ji qian, tong you zhe tong zhi 爭食羣雞前,同遊者同志. It could perhaps be translated, “before the flock of chickens competing for food, those traveling together have the same ambitions.”

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Text and image sources

The Cleveland Museum of Art · Gift of James and Christine Heusinger · CC0

The summary is based on public collection data. Refer to the museum’s latest record for the title, date and attribution.

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