Collection record · Objects & craft
Upper Paneling from a Sacristy Armoire
The collection record classifies this work as furniture and woodwork. It is dated c. 1460–75. Recorded culture or place: Italy, Florence.
Explore the object recordOBJECT RECORD
A closer look at the details.
- Museum title
- Upper Paneling from a Sacristy Armoire
- Date
- c. 1460–75
- Culture / origin
- Italy, Florence
- Materials and technique
- walnut, inlaid with holly and ebony
- Dimensions
- Overall: 160 x 476 x 69.2 cm (63 x 187 3/8 x 27 1/4 in.)
- Artist / maker
- Giuliano da Maiano (Italian, 1432–1490)
- Museum
- The Cleveland Museum of Art
- Accession number
- 1915.526
FROM THE MUSEUM
In the museum’s words
The following description is reproduced from the Cleveland Museum of Art’s original English record.
The imagery on the inset panels is the result of a technique known as intarsia, the skilled inlaying of woods of different colors to create a type of mosaic, popular during the 15th and 16th centuries in Italy for the decoration of paneling and furniture for studies, small rooms, and church sacristies. This large set of five intarsia panels comes from an unknown Florentine church. In its original setting the panels rested upon a row of similarly decorated cupboards (a sacristy armoire) which were used for the storage of liturgical vestments and books. This panel would have therefore been seen at eye level. The central panel depicts the Resurrection of Christ. The two outside panels depict the emblem of Lorenzo de Medici-three plumes encircled by a jeweled ring above a scrolling ribbon containing the Latin word SEMPER (Always). Lorenzo de Medici (1449-92) was the ruler of Florence when this sacristy armoire was constructed and was the likely patron. It seems to be the work of Giuliano da Maiano, an architect and intarsia-maker also responsible for the intarsia in the sacristy of Florence Cathedral.
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Text and image sources
The Cleveland Museum of Art · Gift of the John Huntington Art and Polytechnic Trust · CC0
The summary is based on public collection data. Refer to the museum’s latest record for the title, date and attribution.
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