OBJECT RECORD
把细节,慢慢看清。
- 馆方原名
- Apollo and Marsyas
- 年代
- 约1468 年
- 文化 / 来源
- 意大利
- 材料与工艺
- 青铜
- 尺寸
- Overall: 4.1 x 3.4 x 0.4 cm (1 5/8 x 1 5/16 x 3/16 in.)
- 作者 / 制作者
- Cristoforo di Geremia (Italian, active 1456–76)
- 收藏机构
- 克利夫兰艺术博物馆
- 馆藏编号
- 1969.261
FROM THE MUSEUM
馆方怎样介绍它
以下为克利夫兰艺术博物馆英文原文,保留其原始表述。
This plaquette is based on an important 1st-century gem attributed to Diskourides that passed into the Medici collection in the 1400s. The antique carnelian stone was so popular that the design was copied in numerous variations and media. In Ovid's Metamorphoses, Marsyas challenged Apollo to a music contest: his flute versus the god's lyre. As punishment for Marsyas's hubris, Apollo bound him to a tree and had his skin flayed. In the middle of the composition is the diminutive Olympus, Marsyas's student, begging Apollo for mercy. While the exact function of this plaquette is not clear, the subject had significance for political and noble figures in the Renaissance. The lyre symbolized peace, and thus the victory of Apollo's lyre stood for the triumph of universal harmony. When Pope Paul II Barbo (1417–1471) commissioned a portrait medal in 1468, the reverse included this same image, making the connection between his papacy and the new "Peace of Italy."
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