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Nome Gods Bearing Offerings

馆方将这件藏品归为雕塑。年代记录为约公元前1391–1353 年,文化或地区为埃及,新王国时期。材质与工艺记录为彩绘石灰岩。

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OBJECT RECORD

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馆方原名
Nome Gods Bearing Offerings
年代
约公元前1391–1353 年
文化 / 来源
埃及,新王国时期 (1540–1069 BCE),Dynasty 18,reign of Amenhotep III (1390–1352 BCE)
材料与工艺
彩绘石灰岩
尺寸
Overall: 66 x 133 cm (26 x 52 3/8 in.)
收藏机构
克利夫兰艺术博物馆
馆藏编号
1976.51

FROM THE MUSEUM

馆方怎样介绍它

以下为克利夫兰艺术博物馆英文原文,保留其原始表述。

These blocks from a temple wall have preserved their original painted decoration to a remarkable degree. The four portly figures in the lower register bear emblems on their heads identifying them as nomes, or provinces, of ancient Egypt. Carrying trays heaped with offerings and leading sacrificial animals, they personify the bounty of the land. First (on the right) is the Oryx Nome, followed by the Dog Nome, the Falcon Nome, and the Double Scepter Nome. The face of each nome figure is a miniature portrait of Amenhotep III, and each recites a speech in the king's name. The first figure says, "King Nebmaatra [Amenhotep III] has come, bringing to you every good thing that is in this land, that you may give him all life, stability, dominion, and all health from you." The second, third, and fourth figures bring "all greens," "the produce of the Two Lands [Upper and Lower Egypt]," and "all offerings and provisions." The god to whom the nomes bring offerings stood in the fragmentary upper register, facing a standing figure of the king, Amenhotep III. The pair of legs on the right belonged to the god; the single foot on the left belonged to the king. The god held a scepter, forked at the bottom, embellished with coils of rope (for eternity), tadpoles (for hundreds of thousands), and notched palm ribs (for years), the whole signifying "an eternity of hundreds of thousands of years." These blocks may be from Amenhotep III's temple at Kom el-Ahmar, ancient Hebenu, in Middle Egypt, dedicated to the god Horus. Hebenu was the capital of the Oryx Nome, which leads the procession of nome gods. Amenhotep III's temple was later dismantled, and its blocks were reused in the foundations of another structure, which would account for the excellent preservation of the paint.

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资料与图片出处

The Cleveland Museum of Art · John L. Severance Fund · CC0

中文资料卡依据公开馆藏字段整理;原名、年代与出处以馆方最新记录为准。

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