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Nataraja, Shiva as the Lord of Dance

The collection record classifies this work as sculpture. It is dated 1000s. Recorded culture or place: South India, Tamil Nadu, Chola period (900–1200s).

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OBJECT RECORD

A closer look at the details.

Museum title
Nataraja, Shiva as the Lord of Dance
Date
1000s
Culture / origin
South India, Tamil Nadu, Chola period (900–1200s)
Materials and technique
Bronze
Dimensions
Overall: 113 x 102 x 30 cm (44 1/2 x 40 3/16 x 11 13/16 in.); Base: 35 x 24 cm (13 3/4 x 9 7/16 in.)
Artist / maker
Not specified by the museum
Museum
The Cleveland Museum of Art
Accession number
1930.331

FROM THE MUSEUM

In the museum’s words

The following description is reproduced from the Cleveland Museum of Art’s original English record.

One of the most celebrated sculptural forms in the history of Indian art, this elegant and dynamic figure embodies some of Hinduism’s most fundamental tenets. According to Hindu thought, time is cyclical; the world is created, maintained, preserved for a time, then destroyed, only to be created again an infinite number of times. For those Hindus who view Shiva to be the all-powerful creator divinity, he is responsible for both creation and destruction. The ring of fire and the tongue of flame he holds in his left hand refer to destruction, and the drum in his raised right hand refers to the relentless beat of time as it moves inevitably forward. His lower right hand, held up with the palm facing out, signals to his devotees not to be afraid of the impending destruction; they can be liberated from the cycles of birth and death through devotion to him, which he indicates by pointing to his upraised foot. With every step in his dance, he lands on a dwarfish figure personifying ignorance.

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Text and image sources

The Cleveland Museum of Art · Purchase from the J. H. Wade Fund · CC0

The summary is based on public collection data. Refer to the museum’s latest record for the title, date and attribution.

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