Collection record · Objects & craft
Nataraja, Shiva as the Lord of Dance
The collection record classifies this work as sculpture. It is dated 1000s. Recorded culture or place: South India, Tamil Nadu, Chola period (900–1200s).
Explore the object recordOBJECT RECORD
A closer look at the details.
- Museum title
- Nataraja, Shiva as the Lord of Dance
- Date
- 1000s
- Culture / origin
- South India, Tamil Nadu, Chola period (900–1200s)
- Materials and technique
- Bronze
- Dimensions
- Overall: 113 x 102 x 30 cm (44 1/2 x 40 3/16 x 11 13/16 in.); Base: 35 x 24 cm (13 3/4 x 9 7/16 in.)
- Artist / maker
- Not specified by the museum
- Museum
- The Cleveland Museum of Art
- Accession number
- 1930.331
FROM THE MUSEUM
In the museum’s words
The following description is reproduced from the Cleveland Museum of Art’s original English record.
One of the most celebrated sculptural forms in the history of Indian art, this elegant and dynamic figure embodies some of Hinduism’s most fundamental tenets. According to Hindu thought, time is cyclical; the world is created, maintained, preserved for a time, then destroyed, only to be created again an infinite number of times. For those Hindus who view Shiva to be the all-powerful creator divinity, he is responsible for both creation and destruction. The ring of fire and the tongue of flame he holds in his left hand refer to destruction, and the drum in his raised right hand refers to the relentless beat of time as it moves inevitably forward. His lower right hand, held up with the palm facing out, signals to his devotees not to be afraid of the impending destruction; they can be liberated from the cycles of birth and death through devotion to him, which he indicates by pointing to his upraised foot. With every step in his dance, he lands on a dwarfish figure personifying ignorance.
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Text and image sources
The Cleveland Museum of Art · Purchase from the J. H. Wade Fund · CC0
The summary is based on public collection data. Refer to the museum’s latest record for the title, date and attribution.
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