OBJECT RECORD
把细节,慢慢看清。
- 馆方原名
- Nataraja, Shiva as the Lord of Dance
- 年代
- 1000年代
- 文化 / 来源
- South 印度,Tamil Nadu,Chola period (900–1200s)
- 材料与工艺
- 青铜
- 尺寸
- Overall: 113 x 102 x 30 cm (44 1/2 x 40 3/16 x 11 13/16 in.); Base: 35 x 24 cm (13 3/4 x 9 7/16 in.)
- 收藏机构
- 克利夫兰艺术博物馆
- 馆藏编号
- 1930.331
FROM THE MUSEUM
馆方怎样介绍它
以下为克利夫兰艺术博物馆英文原文,保留其原始表述。
One of the most celebrated sculptural forms in the history of Indian art, this elegant and dynamic figure embodies some of Hinduism’s most fundamental tenets. According to Hindu thought, time is cyclical; the world is created, maintained, preserved for a time, then destroyed, only to be created again an infinite number of times. For those Hindus who view Shiva to be the all-powerful creator divinity, he is responsible for both creation and destruction. The ring of fire and the tongue of flame he holds in his left hand refer to destruction, and the drum in his raised right hand refers to the relentless beat of time as it moves inevitably forward. His lower right hand, held up with the palm facing out, signals to his devotees not to be afraid of the impending destruction; they can be liberated from the cycles of birth and death through devotion to him, which he indicates by pointing to his upraised foot. With every step in his dance, he lands on a dwarfish figure personifying ignorance.
THE VISITOR BOOK
看完了,留一点好奇。
正在打开留言簿…


