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Nataraja, Shiva as the Lord of Dance

馆方将这件藏品归为雕塑。年代记录为1000年代,文化或地区为印度。材质与工艺记录为青铜。

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馆方原名
Nataraja, Shiva as the Lord of Dance
年代
1000年代
文化 / 来源
South 印度,Tamil Nadu,Chola period (900–1200s)
材料与工艺
青铜
尺寸
Overall: 113 x 102 x 30 cm (44 1/2 x 40 3/16 x 11 13/16 in.); Base: 35 x 24 cm (13 3/4 x 9 7/16 in.)
收藏机构
克利夫兰艺术博物馆
馆藏编号
1930.331

FROM THE MUSEUM

馆方怎样介绍它

以下为克利夫兰艺术博物馆英文原文,保留其原始表述。

One of the most celebrated sculptural forms in the history of Indian art, this elegant and dynamic figure embodies some of Hinduism’s most fundamental tenets. According to Hindu thought, time is cyclical; the world is created, maintained, preserved for a time, then destroyed, only to be created again an infinite number of times. For those Hindus who view Shiva to be the all-powerful creator divinity, he is responsible for both creation and destruction. The ring of fire and the tongue of flame he holds in his left hand refer to destruction, and the drum in his raised right hand refers to the relentless beat of time as it moves inevitably forward. His lower right hand, held up with the palm facing out, signals to his devotees not to be afraid of the impending destruction; they can be liberated from the cycles of birth and death through devotion to him, which he indicates by pointing to his upraised foot. With every step in his dance, he lands on a dwarfish figure personifying ignorance.

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资料与图片出处

The Cleveland Museum of Art · Purchase from the J. H. Wade Fund · CC0

中文资料卡依据公开馆藏字段整理;原名、年代与出处以馆方最新记录为准。

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