Collection record · Objects & craft
Monstrance with the "Paten of Saint Bernward"
The collection record classifies this work as metalwork. It is dated c. 1180–1190. Recorded culture or place: paten: Germany, Lower Saxony, Hildesheim; monstrance: Germany, Lower Saxony, Brunswick, Gothic period, paten: 12th century; monstrance: 14th century.
Explore the object recordOBJECT RECORD
A closer look at the details.
- Museum title
- Monstrance with the "Paten of Saint Bernward"
- Date
- c. 1180–1190
- Culture / origin
- paten: Germany, Lower Saxony, Hildesheim; monstrance: Germany, Lower Saxony, Brunswick, Gothic period, paten: 12th century; monstrance: 14th century
- Materials and technique
- silver, gilded silver, niello, rock crystal
- Dimensions
- Overall: 34.5 x 15.9 x 14 cm (13 9/16 x 6 1/4 x 5 1/2 in.); Part 1: 13.5 cm (5 5/16 in.); Part 2: 34.3 cm (13 1/2 in.)
- Artist / maker
- Saint Oswald Reliquary Workshop (German)
- Museum
- The Cleveland Museum of Art
- Accession number
- 1930.505
FROM THE MUSEUM
In the museum’s words
The following description is reproduced from the Cleveland Museum of Art’s original English record.
Designed to facilitate the display and veneration of ten relics, this sumptuous ostensorium (from the Latin ostendere, meaning "to show") is one of the most unusual reliquaries in the Guelph Treasure. Elements of contemporary Gothic architecture in miniature frame an elaborately decorated liturgical paten, the shallow disc or plate used for the elevation of the Eucharist during Mass. Fragments of the True Cross are enclosed behind a rock crystal in the gable, while other saintly relics, each wrapped in silk and identified by inscriptions, are visible only from the back. The paten is inscribed on its outer rim with the words "The bread which is broken in me is the body itself. He who receives it in good faith shall live in eternity." Another inscription surrounding the image of the enthroned Christ at the paten's center, reads, "Behold, o men, I have thus redeemed you with my death." Symbols of the four Evangelists and personifications of the four cardinal virtues complete the paten's iconographic program.
FOLLOW THE SOURCE
Text and image sources
The Cleveland Museum of Art · Purchase from the J. H. Wade Fund with additional gift from Mrs. R. Henry Norweb · CC0
The summary is based on public collection data. Refer to the museum’s latest record for the title, date and attribution.
Open the complete museum record View the open-access policyTHE VISITOR BOOK
What caught your eye?
Opening the visitor book…


