Collection record · Small worlds
Pendant Triptych with an Onyx Cameo of the Nativity
The collection record classifies this work as enamel. It is dated c. 1460–1500; cameo: c. 1250–1300. Recorded culture or place: Pendant: France, Paris or Tours; Cameo: Italy, 13th-15th century.
Explore the object recordOBJECT RECORD
A closer look at the details.
- Museum title
- Pendant Triptych with an Onyx Cameo of the Nativity
- Date
- c. 1460–1500; cameo: c. 1250–1300
- Culture / origin
- Pendant: France, Paris or Tours; Cameo: Italy, 13th-15th century
- Materials and technique
- basse-taille enamel on gold; onyx cameo
- Dimensions
- Overall: 5.8 x 2 cm (2 5/16 x 13/16 in.); Part 1: 4.5 x 3.5 cm (1 3/4 x 1 3/8 in.)
- Artist / maker
- Not specified by the museum
- Museum
- The Cleveland Museum of Art
- Accession number
- 1947.508
FROM THE MUSEUM
In the museum’s words
The following description is reproduced from the Cleveland Museum of Art’s original English record.
This pendant consists of colorful translucent enamel over an incised gold ground, a technique known as basse-taille, which simulates stained glass. For its owner this pendant was both for private devotion and a deluxe accessory. Made to be worn around the neck or suspended on a bed curtain, the pendant is shaped as a miniature triptych (three-panel painting) with wings or shutters that could be opened and closed. The outer surfaces are decorated with two prophets. The remaining images include various scenes from the life of Christ.
Small objects played a key role in private piety. Within this domain of personal spirituality, images were used to venerate and invoke Christ and his saints, as well as to meditate on the most important mysteries of faith or events from the story of salvation. Pious men and women began outfitting rooms in their homes where "one can pray well." Small portable deluxe objects such as ivories, enamel plaques, and jeweled pendants were critical ingredients in this experience of faith.
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Text and image sources
The Cleveland Museum of Art · Purchase from the J. H. Wade Fund · CC0
The summary is based on public collection data. Refer to the museum’s latest record for the title, date and attribution.
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