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吊坠 · Pendant Triptych with an Onyx Cameo of the Nativity

Pendant Triptych with an Onyx Cameo of the Nativity

馆方将这件藏品归为珐琅。年代记录为约 1460–1500; cameo: 约 1250–1300,文化或地区为法国。

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馆方原名
Pendant Triptych with an Onyx Cameo of the Nativity
年代
约 1460–1500; cameo: 约 1250–1300
文化 / 来源
Pendant: 法国,Paris or Tours; Cameo: 意大利,13th-15th century
材料与工艺
basse-taille enamel on gold;onyx cameo
尺寸
Overall: 5.8 x 2 cm (2 5/16 x 13/16 in.); Part 1: 4.5 x 3.5 cm (1 3/4 x 1 3/8 in.)
收藏机构
克利夫兰艺术博物馆
馆藏编号
1947.508

FROM THE MUSEUM

馆方怎样介绍它

以下为克利夫兰艺术博物馆英文原文,保留其原始表述。

This pendant consists of colorful translucent enamel over an incised gold ground, a technique known as basse-taille, which simulates stained glass. For its owner this pendant was both for private devotion and a deluxe accessory. Made to be worn around the neck or suspended on a bed curtain, the pendant is shaped as a miniature triptych (three-panel painting) with wings or shutters that could be opened and closed. The outer surfaces are decorated with two prophets. The remaining images include various scenes from the life of Christ.

Small objects played a key role in private piety. Within this domain of personal spirituality, images were used to venerate and invoke Christ and his saints, as well as to meditate on the most important mysteries of faith or events from the story of salvation. Pious men and women began outfitting rooms in their homes where "one can pray well." Small portable deluxe objects such as ivories, enamel plaques, and jeweled pendants were critical ingredients in this experience of faith.

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资料与图片出处

The Cleveland Museum of Art · Purchase from the J. H. Wade Fund · CC0

中文资料卡依据公开馆藏字段整理;原名、年代与出处以馆方最新记录为准。

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