Collection record · Belief & ritual
Miniature Reliquary
The collection record classifies this work as glass. It is dated c. 1–200 CE. Recorded culture or place: Afghanistan, probably Begram.
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A closer look at the details.
- Museum title
- Miniature Reliquary
- Date
- c. 1–200 CE
- Culture / origin
- Afghanistan, probably Begram
- Materials and technique
- glass
- Dimensions
- Overall: 1.6 cm (5/8 in.)
- Artist / maker
- Not specified by the museum
- Museum
- The Cleveland Museum of Art
- Accession number
- 1977.70
FROM THE MUSEUM
In the museum’s words
The following description is reproduced from the Cleveland Museum of Art’s original English record.
Tiny reliquaries holding the cremated remains of the Buddha or a high-ranking holy person empowered monuments and made them sacred. A Buddhist monument, such as the solid hemispherical mounds called stupas, would not be worshipped until it was consecrated with the relic secreted inside. Bits of ash were combined with tiny gems inside a crystal or glass reliquary, like this object, which was then placed inside a stone or metal container. These containers look like cosmetic vessels for aromatic pastes used for perfume in ancient India. Buddhist texts state that the enlightened Buddha emitted a fragrance like sandalwood paste; the form of the reliquary as a perfume bottle indicates the presence of the Buddha by the visual reference to his pleasant scent. Once enclosed in the stupa the reliquaries would not be seen, but monks were tasked with applying sandalwood paste to the exterior of stupas as part of their regular maintenance to convey to visitors the ongoing presence of the Buddha radiating from the relic in the center.
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Text and image sources
The Cleveland Museum of Art · Gift of Mr. and Mrs. Morris Everett · CC0
The summary is based on public collection data. Refer to the museum’s latest record for the title, date and attribution.
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