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Collection record · Belief & ritual

Plaque from a Portable Altar Showing the Crucifixion

The collection record classifies this work as ivory. It is dated 1050–1100. Recorded culture or place: Germany, Lower Rhine Valley, Romanesque period, 11th century.

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OBJECT RECORD

A closer look at the details.

Museum title
Plaque from a Portable Altar Showing the Crucifixion
Date
1050–1100
Culture / origin
Germany, Lower Rhine Valley, Romanesque period, 11th century
Materials and technique
walrus ivory
Dimensions
Overall: 5.1 x 9.6 cm (2 x 3 3/4 in.)
Artist / maker
Not specified by the museum
Museum
The Cleveland Museum of Art
Accession number
1922.359

FROM THE MUSEUM

In the museum’s words

The following description is reproduced from the Cleveland Museum of Art’s original English record.

These intricately carved ivory panels once decorated the sides of a portable altar. Three of the plaques, those depicting Christ in Majesty and his apostles, were the first major acquisition of William M. Milliken, the museum's first curator of decorative arts and later director (1930–58). They were purchased from Emile Rey, the New York partner of Arnold Seligmann, Rey and Company, who had been closely associated with J. P. Morgan, Henry Walters, and other important American collectors. The fourth plaque, depicting the Crucifixion, was donated by Arnold Seligmann, Rey and Company later the same year. As Milliken later recalled, the pieces Rey showed him "were immensely intriguing, monumental in scale, even if tiny in size, the Christ in the Mandorla could have been enlarged and would have graced the tympanum of a great cathedral. . . . These morse [that is, walrus] ivories overwhelmed me . . . Somehow they must come to Cleveland. How was the question. Yet they would and must."

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Text and image sources

The Cleveland Museum of Art · Gift of Arnold Seligmann, Rey and Company, Inc. · CC0

The summary is based on public collection data. Refer to the museum’s latest record for the title, date and attribution.

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