馆藏档案 · 信仰仪式
Plaque from a Portable Altar Showing the Crucifixion
馆方将这件藏品归为象牙雕刻。年代记录为1050–1100 年,文化或地区为德国。
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- 馆方原名
- Plaque from a Portable Altar Showing the Crucifixion
- 年代
- 1050–1100 年
- 文化 / 来源
- 德国,Lower Rhine Valley,Romanesque period,11th century
- 材料与工艺
- walrus ivory
- 尺寸
- Overall: 5.1 x 9.6 cm (2 x 3 3/4 in.)
- 收藏机构
- 克利夫兰艺术博物馆
- 馆藏编号
- 1922.359
FROM THE MUSEUM
馆方怎样介绍它
以下为克利夫兰艺术博物馆英文原文,保留其原始表述。
These intricately carved ivory panels once decorated the sides of a portable altar. Three of the plaques, those depicting Christ in Majesty and his apostles, were the first major acquisition of William M. Milliken, the museum's first curator of decorative arts and later director (1930–58). They were purchased from Emile Rey, the New York partner of Arnold Seligmann, Rey and Company, who had been closely associated with J. P. Morgan, Henry Walters, and other important American collectors. The fourth plaque, depicting the Crucifixion, was donated by Arnold Seligmann, Rey and Company later the same year. As Milliken later recalled, the pieces Rey showed him "were immensely intriguing, monumental in scale, even if tiny in size, the Christ in the Mandorla could have been enlarged and would have graced the tympanum of a great cathedral. . . . These morse [that is, walrus] ivories overwhelmed me . . . Somehow they must come to Cleveland. How was the question. Yet they would and must."
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