Collection record · Small worlds
Comb (cisakulo)
The collection record classifies this work as jewelry. It is dated mid- to late 1800s. Recorded culture or place: Africa, Central Africa, Angola, or Democratic Republic of Congo, Chokwe-style.
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A closer look at the details.
- Museum title
- Comb (cisakulo)
- Date
- mid- to late 1800s
- Culture / origin
- Africa, Central Africa, Angola, or Democratic Republic of Congo, Chokwe-style
- Materials and technique
- Wood, glass beads, and natural fibers
- Dimensions
- Overall: 13.3 x 8 x 1.4 cm (5 1/4 x 3 1/8 x 9/16 in.)
- Artist / maker
- Not specified by the museum
- Museum
- The Cleveland Museum of Art
- Accession number
- 1915.453
FROM THE MUSEUM
In the museum’s words
The following description is reproduced from the Cleveland Museum of Art’s original English record.
Chokwe women and men inserted finely decorated combs and pins in their hair to signal rank and wealth. Here, as among neighboring peoples, hairstyles reflected changing trends across place and over time. This comb's wooden material and sculptural top made it of a higher value than simple examples made from metal or cane. Its wide teeth were practical, securing elements of a hairstyle in place. The long-beaked ngungu birds with beaded necklaces were a well-known symbol of chiefly power. In addition to being a sign of beauty and good health, a well-styled hairdo also suggests that the wearer relies on the help of others in its creation. Combs were often gifted to women by admirers or husbands to mark important life events. This comb entered the Cleveland Museum of Art's collection in 1915, one year before the museum opened its doors.
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Text and image sources
The Cleveland Museum of Art · The Harold T. Clark Educational Extension Fund · CC0
The summary is based on public collection data. Refer to the museum’s latest record for the title, date and attribution.
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