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Naga-Enthroned Buddha

馆方将这件藏品归为雕塑。年代记录为1100年代,文化或地区为柬埔寨。

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OBJECT RECORD

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馆方原名
Naga-Enthroned Buddha
年代
1100年代
文化 / 来源
柬埔寨,Angkor,Angkor Wat Period,12th century
材料与工艺
bronze with traces of gilding
尺寸
Overall: 58.4 x 28 cm (23 x 11 in.)
收藏机构
克利夫兰艺术博物馆
馆藏编号
1963.263

FROM THE MUSEUM

馆方怎样介绍它

以下为克利夫兰艺术博物馆英文原文,保留其原始表述。

Jayavarman VII, who built the great royal temple at Banteay Chhmar, linked himself with the image of the Buddha seated on a serpent, or naga, as the divine form under which he would be honored.

During his reign, the naga-enthroned Buddha became a ubiquitous image for veneration, often set up together with Lokeshvara, who was associated with his father, and Prajnaparamita, the form under which his deceased mother was honored. Lokeshvara is the powerful enlightened being of compassion, while Prajnaparmita is the goddess who personifies wisdom. King Jayavarman VII, therefore, presented himself as the enlightened Buddha, the product of the union of Compassion and Wisdom, supported and glorified by the naga, which refers to the Khmer people.

Images of the naga-enthroned Buddha have been found at Banteay Chhmar, both in architectural relief sculpture and as icons in the round. After the death of Jayavarman VII, followers of other forms of Buddhism (for example, Theravada) that became prevalent in Cambodia changed the meaning of the naga-enthroned Buddha and reinterpreted the image to refer to a scene from the historical Buddha’s life story in which a serpent protected him from a flood. The crowned and bejeweled aspect of this Buddha, though, indicates that it is another kind of transcendent figure. In his lap his hands are in a posture of meditation, holding what appears to be an offering of ceremonial rice referring to the hope that he will ensure the prosperity of the land.

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资料与图片出处

The Cleveland Museum of Art · John L. Severance Fund · CC0

中文资料卡依据公开馆藏字段整理;原名、年代与出处以馆方最新记录为准。

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