OBJECT RECORD
把细节,慢慢看清。
- 馆方原名
- Earring
- 年代
- 约 1100年代–1200年代
- 文化 / 来源
- 柬埔寨,Angkorean Period (877-1431)
- 材料与工艺
- 青铜
- 尺寸
- Overall: 8.3 x 3.5 x 3.2 cm (3 1/4 x 1 3/8 x 1 1/4 in.)
- 收藏机构
- 克利夫兰艺术博物馆
- 馆藏编号
- 1987.71
FROM THE MUSEUM
馆方怎样介绍它
以下为克利夫兰艺术博物馆英文原文,保留其原始表述。
Earrings that were cast in bronze and then gilded (on this example, the gilding has worn off) were attached to the stone sculptures themselves. The serpent, a Khmer national emblem, was used frequently as an ornamental motif.
The historical Buddha Shakyamuni was born a prince in northern India in the late 500s BC, and he wore heavy earrings that dragged down his earlobes. When he renounced worldly life to seek enlightenment, he cast off all his jewels. Generally, Buddha images have elongated earlobes without earrings, while bodhisattvas—beings close to full enlightenment—wear princely jewels in reference to Shakyamuni’s princely life just before he became a Buddha. By the early 1200s in Cambodia, however, these categories had become more nuanced: the bodhisattva Lokeshvara was viewed as such a potent figure he was sometimes called a Buddha and images of some special Buddhas other than Shakyamuni were distinguished by their jewelry.
THE VISITOR BOOK
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