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Bust Reliquary of St. Louis, Bishop of Toulouse

馆方将这件藏品归为雕塑。年代记录为晚期 1300年代,文化或地区为意大利。

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馆方原名
Bust Reliquary of St. Louis, Bishop of Toulouse
年代
晚期 1300年代
文化 / 来源
意大利,Tuscany,Siena(?)
材料与工艺
wood (walnut) with polychromy,gesso and gilding
尺寸
Overall: 62 x 38.2 x 18.8 cm (24 7/16 x 15 1/16 x 7 3/8 in.)
收藏机构
克利夫兰艺术博物馆
馆藏编号
2011.153

FROM THE MUSEUM

馆方怎样介绍它

以下为克利夫兰艺术博物馆英文原文,保留其原始表述。

This reliquary bust was probably made to house a relic of Saint Louis, Bishop of Toulouse (1274–97), second son of Charles II of Anjou, King of Naples (1288–1309). Renowned for his works of charity, he was made bishop in 1297 and died shortly after at the age of 23. He was canonized in 1317, and his cult of veneration spread rapidly in Italy and Spain. In art, Louis is generally represented as a "boy" bishop without a beard and with youthful features. The relic (now lost) would have been enshrined within. On feast days the reliquary would have likely been carried in procession and otherwise placed in a church sanctuary or on a side altar for the veneration of the faithful.

Relics were the physical remains of the saints, chiefly their bodies. The living venerated the relics of the saints in order to seek their patronage, which in turn provided a proximate link to the divine ruler. The power of the saints was therefore manifested by and through their relics, or objects that were owned or touched by them. Medieval pilgrims, in a world fraught with peril, sought close physical contact with relics, which protected both the spiritual and temporal welfare of laypeople and religious communities.

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资料与图片出处

The Cleveland Museum of Art · Gift of Albert van Stolk · CC0

中文资料卡依据公开馆藏字段整理;原名、年代与出处以馆方最新记录为准。

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