Collection record · Belief & ritual
Sculptural Element from a Reliquary Ensemble (mbulu ngulu)
The collection record classifies this work as sculpture. It is dated probably 1800s. Recorded culture or place: Africa, Central Africa, Gabon, Kota-style maker.
Explore the object recordOBJECT RECORD
A closer look at the details.
- Museum title
- Sculptural Element from a Reliquary Ensemble (mbulu ngulu)
- Date
- probably 1800s
- Culture / origin
- Africa, Central Africa, Gabon, Kota-style maker
- Materials and technique
- Wood, copper alloy, and iron
- Dimensions
- Overall: 61 x 27.5 x 3 cm (24 x 10 13/16 x 1 3/16 in.)
- Artist / maker
- Not specified by the museum
- Museum
- The Cleveland Museum of Art
- Accession number
- 2005.2
FROM THE MUSEUM
In the museum’s words
The following description is reproduced from the Cleveland Museum of Art’s original English record.
The ethnic map of eastern Gabon is extremely complicated as a result of continuous migratory movements since the 17th century. Kota is the name of one of three culturally closely related people. All share the tradition of commemorating and honoring ancestors through the preservation and worship of sacred ancestral relics within cylindrical bark containers or bound in fiber packets. Covered with sheets of copper and brass, this abstract wooden human-shaped figure—distilled to a planar surface—served as a guardian set atop a basket container holding the skull, certain bones, and other relics of a deceased man. It belonged to a religious institution that honored the memory of individuals who made major contributions during their lifetime. The luminosity of the copper and brass covering was considered intimidating and spiritually empowered to deflect harm and thus protect the owner and his family.
FOLLOW THE SOURCE
Text and image sources
The Cleveland Museum of Art · Purchase from the J. H. Wade Fund · CC0
The summary is based on public collection data. Refer to the museum’s latest record for the title, date and attribution.
Open the complete museum record View the open-access policyTHE VISITOR BOOK
What caught your eye?
Opening the visitor book…


